Transgression. It is the ultimate goal behind all extreme music (and 
ultimately all good music). Yet metal, despite remaining an aural 
abomination to so many, fails to achieve this more often than not. 
Satanism fails to inspire in the modern era. More Norse sword swinging? 
Meh. Vaginal stabbing fantasies of unrequited gore? Get outta town.
Despite its outsider status, metal remains one of the more 
image-conscious genres on the planet. Orthodoxy is law and for many the 
spiked arm bands are just as important as the riffs summoned forth by 
their bearers. Aesthetic is part and parcel. Which is a big reason why 
Colloquial Sound Recordings, in addition to unleashing all sorts of 
experimental/blackpunk audio hell, is so refreshing.
Let’s take Choker, an eerie mix of proto-punk and blackened noise. The music isn’t far from what the previously featured group Villains
 are up to, yet the packaging, a seventh grade girl’s after-school 
collage, offends metal’s sensibilities in the most delightful of ways. 
The theme runs throughout CSR’s myriad artists, with unusual imagery 
enhancing an already unusual experience.
Aksumite, the label’s flagship act (fronted by label maestro Damian 
Master) and the current object of all my musical affections, follows 
suit in its own way. The duo’s scant releases have turned plenty of 
heads with their incredibly catchy “blood cult punk,” with 2012’s Prideless Lions
 garnering particularly rabid acclaim, but it’s their subject matter 
that conjures the greatest spells. Aksumite belt out tales of the 
ancient African empire of Aksum, chronicling its rise and fall 
throughout the first millennium. “Via India! Via Aksum! Their goods! Their men! Their women! Their money! Their minds!”,
 Master howls. It’s not only a super cool history lesson. It’s a super 
cool “Fuck You” to the Euro-centric/Norse paradigm that has dominated 
the genre for so long. How’s that for transgression?
Cool music. Cooler message. Get over to CSR’s page and start shopping.

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